A car. A camera. A driver. The location? I'd like a city like New York, Cape Town, Berlin, or Tokyo. If on top of that, a typhoon is passing through, the conditions are almost ideal. Matthias Mederer curses like a badly brought up bare-knuckle fighter, but he also delivers. Duty and freestyle. His style: cinematic. If he looks through the viewfinder of his camera, he sees a blockbuster-worthy chase. »Basically, it's like in a harmless Tarantino movie: good soundtrack, a few crazy dialogues, and with a few little tricks, the story is shaped in the end. Meanwhile, he brings back camera equipment and cars mostly undamaged.
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